Installation Art

Divination Circle (2021) invites the viewer to bathe themselves in the rainbow coloured light of a circular projected eye scan. Accompanied by meditative audio, the installation is a form of escapism for personal transcendence via the healing qualities of colour therapy and the infinite flow of circular symbolism.

Swimming in the Universe (2021) is an immersive installation combining wall paintings, digital projections, reflective objects and a meditative soundscape. The installation offers viewers an immersive escapist environment for personal transcendence and introspection via void like imagery bathed in psychedelic colours.

Exhibited in the 57 Walls (QUT Visual Art Graduate Exhibition). Recipient of the NAVA Ignition Prize (2021).

Inhabiting Illusion (2021) imagines our future experience of spirituality in between physical and digital states. The optical experience of psychedelic colours, shared between painted and projected forms emphasise this illusionary space between technology and reality in which we inhabit.

Link to video documentation of artwork: https://www.youtube.com/shorts/N8rjJljvawM

Spiritual Disco (2021) is a collaborative and experimental multimedia installation that presents a psychedelic field of eyes forms projected over an acrylic painting, framed prints, found objects and the body. Disco balls, CDs and crystals activate an ethereal presence of light, saturated in contrasting colours that present an optical experience of the spiritual via a disco subcultural lens.

Collaborators: Casey Nitsche & Hannah Jun.

Photo credit to Casey Nitsche.

Fusion (2022) is a photographic documentation of an installation that expresses the embodiment of spirituality via eye symbolism. The work presents the body integrated between painted and projected fields of floating abstract eye forms. The biomorphic patterns of eyes camouflage the body within an infinitely expanding psychedelic landscape, blurring the boundary between art, self and life through unification.

Photo credit to Casey Nitsche.

Fetus Dance Party in the Womb Room (2021) is an interactive multimedia installation that combines video, sound, light, textiles and mixed media. The installation presents the womb as a grotesque psychedelic dreamscape, situated between the absurd realm of disco and abject experiences of womanhood. Viewers are encouraged to embrace feminist art and critique to re-imagine the representation and value of female experience for a hopeful futurity.

Exhibited at the Frank Moran Gallery in the QUT Art & Design Showcase, as part of Brisbane Art & Design Festival (BAD) (2021).

Collaborators: Sophie Biellalee, Stephanie Blinco, Lauren Masci, Chloe McMahon

Womb Room (a home) (2021) invites participants to escape into a psychedelic dreamscape that presents itself as a utopian home. The womb plays the role of a universal mother that aims to nurture, nourish, comfort, protect and reconnect you to the concept of home within yourself and your environment through sensory experience. So sit back, relax, touch, smell, listen, visualize and meditate on reconnecting to home as long as you need so you can feel at home wherever you may be.

Exhibited in A House is Not a Home at House Conspiracy, curated by UQ SOFA and Hey Neighbour.

Collaborator: Chloe McMahon.

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Paintings